5 July — 10 August, 2024
5 July — 10 August, 2024
5 July — 10 August, 2024
5 July — 10 August, 2024
5 July — 10 August, 2024

James Cao for Load

James Cao for Load

James Cao for Load

James Cao for Load

James Cao for Load

James Cao's oeuvre focuses on the intersection of traditional art techniques and the latest technological advancements, transforming these combinations into collectable experiences for the audience. This theme is vividly showcased in the exhibition at Load, where Cao highlights a range of new media art practices. 

Cao employed a variety of cutting-edge technologies and real-time graphic tools such as TouchDesigner, Unreal Engine, and Unity to create these pieces. Techniques included Particle Instancing, GLSL shader programming, Photogrammetry, Drone photography, and AI dataset training and generation. His creative process typically begins with an inspiration sparked by new technological possibilities. From there, he continuously seeks the right balance between the object or topic he wishes to explore and the new techniques he is incorporating. This iterative process ensures that the final artwork resonates with both the traditional and contemporary elements he aims to merge.

The goal for this exhibition is to ignite public interest in the practical applications of digital and new media art. Cao seeks to inspire visitors with the possibilities presented and to make them see beyond the abstract directions his works take, envisioning the vast potential of digital art in everyday life. He aims to evoke a sense of calm, contentment, and joy, allowing to experience the beauty and innovation of new media art in a way that feels both accessible and enriching. Incorporating insights and experiences from his previous works and exhibitions, Cao aims to create a cohesive and impactful presentation that not only showcases the technological marvels of new media art but also touches the hearts and minds of viewers, encouraging meaningful engagement with art.

James Cao's oeuvre focuses on the intersection of traditional art techniques and the latest technological advancements, transforming these combinations into collectable experiences for the audience. This theme is vividly showcased in the exhibition at Load, where Cao highlights a range of new media art practices. 

Cao employed a variety of cutting-edge technologies and real-time graphic tools such as TouchDesigner, Unreal Engine, and Unity to create these pieces. Techniques included Particle Instancing, GLSL shader programming, Photogrammetry, Drone photography, and AI dataset training and generation. His creative process typically begins with an inspiration sparked by new technological possibilities. From there, he continuously seeks the right balance between the object or topic he wishes to explore and the new techniques he is incorporating. This iterative process ensures that the final artwork resonates with both the traditional and contemporary elements he aims to merge.

The goal for this exhibition is to ignite public interest in the practical applications of digital and new media art. Cao seeks to inspire visitors with the possibilities presented and to make them see beyond the abstract directions his works take, envisioning the vast potential of digital art in everyday life. He aims to evoke a sense of calm, contentment, and joy, allowing to experience the beauty and innovation of new media art in a way that feels both accessible and enriching. Incorporating insights and experiences from his previous works and exhibitions, Cao aims to create a cohesive and impactful presentation that not only showcases the technological marvels of new media art but also touches the hearts and minds of viewers, encouraging meaningful engagement with art.

James Cao's oeuvre focuses on the intersection of traditional art techniques and the latest technological advancements, transforming these combinations into collectable experiences for the audience. This theme is vividly showcased in the exhibition at Load, where Cao highlights a range of new media art practices. 

Cao employed a variety of cutting-edge technologies and real-time graphic tools such as TouchDesigner, Unreal Engine, and Unity to create these pieces. Techniques included Particle Instancing, GLSL shader programming, Photogrammetry, Drone photography, and AI dataset training and generation. His creative process typically begins with an inspiration sparked by new technological possibilities. From there, he continuously seeks the right balance between the object or topic he wishes to explore and the new techniques he is incorporating. This iterative process ensures that the final artwork resonates with both the traditional and contemporary elements he aims to merge.

The goal for this exhibition is to ignite public interest in the practical applications of digital and new media art. Cao seeks to inspire visitors with the possibilities presented and to make them see beyond the abstract directions his works take, envisioning the vast potential of digital art in everyday life. He aims to evoke a sense of calm, contentment, and joy, allowing to experience the beauty and innovation of new media art in a way that feels both accessible and enriching. Incorporating insights and experiences from his previous works and exhibitions, Cao aims to create a cohesive and impactful presentation that not only showcases the technological marvels of new media art but also touches the hearts and minds of viewers, encouraging meaningful engagement with art.

James Cao's oeuvre focuses on the intersection of traditional art techniques and the latest technological advancements, transforming these combinations into collectable experiences for the audience. This theme is vividly showcased in the exhibition at Load, where Cao highlights a range of new media art practices. 

Cao employed a variety of cutting-edge technologies and real-time graphic tools such as TouchDesigner, Unreal Engine, and Unity to create these pieces. Techniques included Particle Instancing, GLSL shader programming, Photogrammetry, Drone photography, and AI dataset training and generation. His creative process typically begins with an inspiration sparked by new technological possibilities. From there, he continuously seeks the right balance between the object or topic he wishes to explore and the new techniques he is incorporating. This iterative process ensures that the final artwork resonates with both the traditional and contemporary elements he aims to merge.

The goal for this exhibition is to ignite public interest in the practical applications of digital and new media art. Cao seeks to inspire visitors with the possibilities presented and to make them see beyond the abstract directions his works take, envisioning the vast potential of digital art in everyday life. He aims to evoke a sense of calm, contentment, and joy, allowing to experience the beauty and innovation of new media art in a way that feels both accessible and enriching. Incorporating insights and experiences from his previous works and exhibitions, Cao aims to create a cohesive and impactful presentation that not only showcases the technological marvels of new media art but also touches the hearts and minds of viewers, encouraging meaningful engagement with art.

James Cao's oeuvre focuses on the intersection of traditional art techniques and the latest technological advancements, transforming these combinations into collectable experiences for the audience. This theme is vividly showcased in the exhibition at Load, where Cao highlights a range of new media art practices. 

Cao employed a variety of cutting-edge technologies and real-time graphic tools such as TouchDesigner, Unreal Engine, and Unity to create these pieces. Techniques included Particle Instancing, GLSL shader programming, Photogrammetry, Drone photography, and AI dataset training and generation. His creative process typically begins with an inspiration sparked by new technological possibilities. From there, he continuously seeks the right balance between the object or topic he wishes to explore and the new techniques he is incorporating. This iterative process ensures that the final artwork resonates with both the traditional and contemporary elements he aims to merge.

The goal for this exhibition is to ignite public interest in the practical applications of digital and new media art. Cao seeks to inspire visitors with the possibilities presented and to make them see beyond the abstract directions his works take, envisioning the vast potential of digital art in everyday life. He aims to evoke a sense of calm, contentment, and joy, allowing to experience the beauty and innovation of new media art in a way that feels both accessible and enriching. Incorporating insights and experiences from his previous works and exhibitions, Cao aims to create a cohesive and impactful presentation that not only showcases the technological marvels of new media art but also touches the hearts and minds of viewers, encouraging meaningful engagement with art.

Artworks

Cao Yuxi

Seasonal Proximities – Real jardin Botanico, 2024

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SEASONAL PROXIMITIES’ is an immersive new media art installation created by Cao Yuxi Studio in 2021, it was start with an Yuxi’s obsession over the impressionism in digital concept area. He think that We, the human as constantly evolving creature, are now into new uncharted area where our main visual scope is digital pixel based. All our perception of the everything has mutated digital impression version in our mind. He believe this shifting proximity over the real or nature world is new impressionism concept. So he want to create a dynamic impressionism paintings that can drive his audience to re-consider this new impressionism digital art world we are living in.

Type: Digital artwork (Video)
Duration: 0.40 s
Technique: Generative Art
Number of Edition 5

€ 11,000 ex VAT

Cao Yuxi

Shanshui By AI– TianXi , 2024

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The new media art series <Shanshui By AI> uses AI-style deep network algorithms to learn thousands of ink painting data pixels, and then uses the trained big data model to infinitely imitate landscape patterns, creating an AI robot that can automatically draw landscape paintings without limit. At the same time, the content of the picture uses a three-dimensional software physics algorithm to simulate the particle dynamic effect, and the "water" picture liquid in the blank part of the landscape painting is particleized, and collides, flows, and changes in the simulated screen with deep space, showing the interesting visual effect of "naked eye 3D".

Type: Digital artwork (Video)
Duration: 0.40 s
Technique: Generative Art
Number of Edition 5

€ 12,000 ex VAT

Cao Yuxi

Shanshui by AI – TianHan , 2024

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TThe new media art series <Shanshui By AI> uses AI-style deep network algorithms to learn thousands of ink painting data pixels, and then uses the trained big data model to infinitely imitate landscape patterns, creating an AI robot that can automatically draw landscape paintings without limit. At the same time, the content of the picture uses a three-dimensional software physics algorithm to simulate the particle dynamic effect, and the "water" picture liquid in the blank part of the landscape painting is particleized, and collides, flows, and changes in the simulated screen with deep space, showing the interesting visual effect of "naked eye 3D".

ype: Digital artwork (Video)
Duration: 0.40 s
Technique: Generative Art
Number of Edition 5

€ 3,000 ex VAT

Cao Yuxi

Shanshui by AI – DiWang , 2024

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The new media art series <Shanshui By AI> uses AI-style deep network algorithms to learn thousands of ink painting data pixels, and then uses the trained big data model to infinitely imitate landscape patterns, creating an AI robot that can automatically draw landscape paintings without limit. At the same time, the content of the picture uses a three-dimensional software physics algorithm to simulate the particle dynamic effect, and the "water" picture liquid in the blank part of the landscape painting is particleized, and collides, flows, and changes in the simulated screen with deep space, showing the interesting visual effect of "naked eye 3D".

Type: Digital artwork (Video)
Duration: 0.40 s
Technique: Generative Art
Number of Edition 5

€ 12,000 ex VAT

Cao Yuxi

Pollen Pixel – Mengfu, 2024

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The work "Pollen Pixel" is a gorgeous bouquet composed of thousands of particles, dancing leisurely on the electronic screen, as if exuding mysterious magic power.
The colorful flowers present exquisite texture and realistic layering in the form of microscopic particles, as if walking among the sea of ​​flowers.

Type: Digital artwork (Video)
Duration: 0.40 s
Technique: Generative Art
Number of Edition 5


€ 12,000 ex VAT

Cao Yuxi

Oriens , 2024

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ORIENS, an audiovisual installation that throws the audience into an atom/blackhole beyond human perception. using a series of shifting shapes that move to a soundtrack of electronic beats, the audience is absorbed in an external dimensional ‘atom blackhole’. at 98 feet by 46 feet by 46 feet, the installation covers two sides of the wall as well as the floor, intending to create a passive interaction between the viewer and the piece as they stand in the centre of the lobby. artist presents immersive blackhole at today art museum in Beijing it uses av projections to mimic a black hole

Type: Digital artwork (Video)
Duration: 0.40 s
Technique: Generative Art
Number of Edition 5

€ 20,000 ex VAT

Cao Yuxi

Nature’s Computing Power– Big Island , 2024

Alignment

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<Natural Computing Power 自然算力>is a new media digital art piece inspired by the artist's 2023 trip to Hawaii's Big Island, where the spectacle of ocean waves crashing over black sand beaches sparked a profound realization. Merging the complex technology of GPU/CPU computing with nature's awe-inspiring fluid dynamics, the artist captures and reimagines the raw power of the sea. Utilizing drone footage as a source emitter for a particle rendering system, this work is a tribute to nature's supremacy over even the most

Type: Digital artwork (Video)
Duration: 0.40 s
Technique: Generative ArtNumber of Edition 5

€ 14,000 ex VAT

Cao Yuxi

Nature’s Computing Power– Big Island , 2024

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ADDRESS

Carrer Llull, 134, 08005 Barcelona, Spain

CONTACT

visit@load-gallery.com

SIGN UP FOR UPDATES
OPENING HOURS

4 PM - 9 PM, Thursday - Saturday

Gallery admission is free

For collectors, artists and potential collaborators visits are available by appointment—please email us to arrange a private viewing

LEGAL

Privacy policy

T&C

@Load Gallery 2023

ADDRESS

Carrer Llull, 134, 08005 Barcelona, Spain

CONTACT

visit@load-gallery.com

SIGN UP FOR UPDATES

OPENING HOURS

4 PM - 9 PM, Thursday - Saturday

Gallery admission is free

For collectors, artists and potential collaborators visits are available by appointment—please email us to arrange a private viewing

LEGAL

Privacy policy

T&C

@Load Gallery 2023

ADDRESS

Carrer Llull, 134, 08005 Barcelona, Spain

CONTACT

visit@load-gallery.com

SIGN UP FOR UPDATES
OPENING HOURS

4 PM - 9 PM, Thursday - Saturday

Gallery admission is free

For collectors, artists and potential collaborators visits are available by appointment—please email us to arrange a private viewing

LEGAL

Privacy policy

T&C

@Load Gallery 2023

ADDRESS

Carrer Llull, 134, 08005 Barcelona, Spain

CONTACT

visit@load-gallery.com

SIGN UP FOR UPDATES

OPENING HOURS

4 PM - 9 PM, Thursday - Saturday

Gallery admission is free

For collectors, artists and potential collaborators visits are available by appointment—please email us to arrange a private viewing

LEGAL

Privacy policy

T&C

@Load Gallery 2023