Farrah Carbonell

In The Sublime Gaze, the body becomes a quiet terrain of sensation, resistance, and revelation. These works do not seek clarity; instead, they drift between image and impression, asking us to linger in the thresholds: between gaze and gesture, form and feeling, signal and silence.

Each portrait unfolds gradually, as an act of becoming, a suspended intimacy, a soft rupture in the cycle of spectacle—where the body is not reduced, but revered; not narrated, but felt. The digital here does not disembody; it extends, becoming a vessel for presence as atmosphere. These images hold space for the unseen, the unresolved, the trembling stillness of simply being. 

To witness these figures is to encounter a mirror that does not reflect, but quietly reveals.