Folds, seams, and worn textures are reinterpreted as brushstrokes, water, and bloom. The imagery lives in duality: pond and pile, pastoral and urban, reflection and residue. At first glance, the works appear as lilies drifting on water; on closer view, they reveal themselves as nylon, logos, and seams drawn from the culture that shaped me.
This body of work marks a transition toward the flow of water. It is a portrait stitched in duality: the old pulse of urbanism and the pull of nature. Impressionism softens through fabric logic; what was worn becomes a symbol of reflection, and new waters carry me forward.
Folds, seams, and worn textures are reinterpreted as brushstrokes, water, and bloom. The imagery lives in duality: pond and pile, pastoral and urban, reflection and residue. At first glance, the works appear as lilies drifting on water; on closer view, they reveal themselves as nylon, logos, and seams drawn from the culture that shaped me.
This body of work marks a transition toward the flow of water. It is a portrait stitched in duality: the old pulse of urbanism and the pull of nature. Impressionism softens through fabric logic; what was worn becomes a symbol of reflection, and new waters carry me forward.
